By K. Harries
In contemporary years there has hence been loads of discuss a potential dying of paintings. because the name of Heidegger’s "The foundation of the murals" indicates, the essay demanding situations such speak, simply because it in flip is challenged through such speak, speak that's supported via the present kingdom of the art-world. It was once Hegel, who such a lot profoundly argued that the form of our sleek global not allows us to furnish paintings the importance it as soon as possessed. Hegel’s proclamation of the tip of artwork in its maximum experience shadows this remark, because it shadows Heidegger’s essay. Heidegger’s difficult flip from the thinker Hegel to the poet Hölderlin is born of the conviction that we must never let Hegel to right here have the final word. At stake is the way forward for artwork. yet extra importantly, if we're to simply accept Heidegger’s argument, at stake is the way forward for humanity. yet all who're wanting to locate in Heidegger’s essay tips bearing on the place not only paintings, yet we must always be heading, may be made cautious by way of Heidegger’s politicizing of paintings and aestheticizing of politics. either stay temptations that call for a severe reaction. This remark demonstrates the ongoing relevance of Heidegger’s reflections.
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Extra resources for Art Matters: A Critical Commentary on Heidegger’s “The Origin of the Work of Art”
The much lauded “academic freedom” will be expelled from the German university; for this freedom was not genuine because it was only negative. It primarily meant lack of concern, arbitrariness of intentions and inclinations, lack of restraint in what was done and left undone. The concept of the freedom of the German student is now brought back to its truth. In future, the bond and service of German students will unfold from this truth (G16, 113/10). In opposing a purely negative freedom Heidegger would seem to agree with philosophers such as Rousseau and Kant.
In Being and Time Heidegger links authentic existence to an affirmation of the history that has made us who we are. But that history speaks with many different voices. Which ones should we listen to? In this connection, as we saw, Heidegger speaks of the choice of a hero. Today such talk has been rendered more than questionable by Heidegger’s own soon repudiated choice of Hitler for his hero: take this notorious and altogether un-Hegelian statement made in the fall of 1933 to introduce a new semester: Nicht Lehrs¨atze und Ideen seien die Regeln eures Seins.
No. ” See also Herman Philipse, Heidegger’s Philosophy of Being. A Critical Interpretation (Princeton: Princeton University Press, 1998), 256. For a fuller account see Karsten Harries, “Death and Utopia: Towards a Critique of the Ethics of Satisfaction,” Research in Phenomenology, vol. 7, 1977, 138–152. This is the one place where the term Volk occurs in Being and Time and as such has drawn a great deal of attention. For an thoughtful discussion of its significance, see James Phillips, Heidegger’s Volk.